keeping at experience as a function of
the contemporary edit: self / un-self / msg.
if i proved anything in the way i said sorry
(that time) it’s everything. there’s a million shots
from aside the harbor bridge only one of them is true –
so i’ll keep at this. not much else to choose.
my princess bubblegum but much more
with & without hope. backchannel subtleties,
implications, & legit withdrawal. everything
is apt i guess though, as contemporary
people, circling structures, etching glory.
earlier & my daughter plays piano.
there’s this fickle smell of rotting crustacean.
i burnt down the microwave she says,
right now, as if on cue. totally cute.
the retirees fell asleep but clapped & you know,
it was & is hard to determine a position.
it is what it is is a thing we say.
i took photos from a low angle courting ‘spectacular’:
of course you’re in on that: sharpen & saturate. de-fringe.
this afternoon i wrote then backspaced: it’s been harder than
i thought. kicked my thong, paid the swim-teacher.
how good is regret & how keen, i mean. anything
to get you talking. so gross. this is so atonal.